It is a fair time since I built my last building, so feeling that it was time that I rediscovered my mojo for architectural things I have made a crack at a building that will be a fairly key feature on Glenmutchkin – its pharmacy .
This is inspired, and largely a facsimile of, The Kyle Pharmacy that could be found on the approach to the ferry pier. Or at least it could until the 1970s when it was swept away to make a larger car holding pool for the ferry. In addition to being a characterful building, as you can see below, the real pharmacy at Kyle was a key part of the local community and I wanted to capture this feature in Glenmutchkin.
The pharmacy building is going to be located on the most prominent position at the front of the layout, so it definitely deserved some time being spent on it. Taking Peter Bond’s advice, it is going to be assembled in components which will make painting a great deal easier but rather than using plasticard throughout as he would have done, I have arranged to have the shop front and bay etched. I did so as I concluded that getting the slenderness and crispness of these was going to be key to get the feel of the model convincing. Peter is a professional architectural modeller and bending plasticard to his will is therefore his stock in trade – not quite so me!
So these are the basic etches back from PPD:
Some of the bay assemblies and the bay largely completed:
The real value of etching the components can be seen in the shopfront – I at least can’t get plasticard to look like this!
I have not managed to get any models to a stage which would make a worthwhile post for a couple of weeks; in a large part due to the disaster I had with the matting agent in my varnish.
This has meant that a number (oh yes, it wasn’t just the one I showed a picture of………) of models have had to get a coating of in nitromors. But nitromors is not enough to to properly clean the model and a lot of attention with a glass fibre scratch pen is required. So I have had an enjoyable weekend plucking glass fibres from my fingers! The models are now at the stage where they have been stripped back and the base coats have been renewed. It is pretty galling to find yourself back to were a month or two back!
It does, however, remind me of another of the tools that I find invaluable in my modelling – a ultrasonic bath. Now they don’t sound like a critical tool to a railway modeller but let me correct you. It is utterly startling how much grot and muck comes off even the most thoroughly cleaned model – you won’t believe me until you have experienced it!
This is the version I have, which is larger than most and is big enough to get a full length coach in it. It also has a heating element in it and the warm water helps the cleaning process. So too does this stuff; Shiny Sinks.
This is a very effective cleaner and does not leave a residual film (which washing up liquid does).
The really handy thing about this set of recommended tools is that they won’t get you in trouble with the domestic authorities. That is because this combination is excellent for cleaning jewellery so you can earn a few brownie points for giving these a spring clean!
I got mine from Maplins and it cost about £60. Given that they are going through their liquidation sale at the moment, you may be able to do better than me but they are available (at a higher cost) via Fleabay or Amazon – such as this one https://www.ebay.co.uk/itm/JPL-ULTRA-8060-Ultrasonic-Cleaner-3-Litre/131291011406?epid=21015637893&hash=item1e918dd94e:g:byYAAOSwgQ9VkUcO
The stock for Glenmutchkin has a recent addition and a rather beautiful one too.
This is a Clyde Bogie; the prototype being designed by David Jones and delivered in 1886. Initially this was a top link locomotive of the line but as time went past it was relegated to lesser duties. On Glenmutchkin it will be one of the locomotives for the branch passenger trains – equivalent to what the real locomotive did at the end of its live. This particular example was the last in service and lasted until 1930 and, as you can see, it picked up the LMS’s first livery of fully lined Crimson Lake.
The model was built for me by John James from a Lochgorm Models etched kit. It is fair to say it was not an easy kit to master and John has cursed me a fair amount I believe for asking him to do this particular prototype…………… He would have cursed more if he also had to make the louvred chimney!
Since John has delivered it to me I have fitted a sound chip and some AJs. I need to fit some loco crew too before long. I suspect I am not going to find another sound fitted Clyde Bogie anytime soon as I have only ever seen one other built example so I can confidently say this is a first! I also seem to have disturbed the seating of the tender chassis as it is sitting rather low – a little task to attend to soon.
I have not been entirely idle whilst John has been busy and have been doing a number of little projects. Most of these will appear in future blogs but the pair of Wilsons & Clyde open wagons will not because this is effectively the same as the NB Jubilee Wagon I discussed previously. However, it is worth noting that Wilsons and Clyde were known to be one of the major providers of loco coal to the Highland so I am presuming these to be loco coal wagons.
And here is a picture of 14278 in action; albeit not at this point with sound fitted.
After the painting disaster, I have been working on the latest version of the Fox Bogies. The prototype utilised a patented design with pressed steel plates to form the sides and ends which produced a stiff and resilient frame, better than the other contemporary options. Thus these bogies were very common amongst the pre-grouping companies with most of using them to at least some degree.
Although there are several model manufacturers that produce Fox bogies, there are no versions that use springing which I now prefer. As they were the primary form of bogie used by the Highland Railway, I need a few of them and thus I have been putting some effort into getting a top notch solution. In this regard, I have been assisted greatly by Justin Newitt if Rumney Models whose design of sprung bogie has formed the basis of this.
The model has primary suspension on the pin points based on guitar wire springs,
In addition to this, the design has a sprung bolster, also based on a guitar string suspension.
The castings I have used on these are from Lochgorm Models and the design has been conceived to enable these to be used either retaining their dampers (the cylindrical appendage at the end of the leaf springs) or with replacements that are a little more defined.
The etch is also designed to be provided with full stepboards as below or with only a short section to one end – as they typically were converted to during their life.
There is full brake gear provided, with a little trick where they do not pass under the axle (remember this view is upside down!) – this enables the wheel to be removed if this is required.
This is not the first version of these (don’t accuse me of not test building my designs!) and they are very close to done. The final change is to adjust the primary spring hangers slightly so that they are not visible when they are depressed (you can just see it poking above the sides in line with the axlebox), The advantage of computer drawn artwork is that things like this can be changed relatively easily.
These, and indeed the rest of the dia 51 full brake, will be made available for sale quite soon.
Previous parts to the test build can be found here:
- part 1 – the main body shell of the cupboard door version
- part 2 – the underframe
- part 3 – the second one, the sliding door version
After Oly’s somewhat mischievous description of our trip to the Rail 2018 Modelspoor in Utrecht, I thought it might be worth taking a slightly more serious look at some of the layouts that will be unknown to most of the readers of this blog. Thus, even though there were some fine UK based layouts, I won’t include pictures of these as I am presuming more will be familiar with them (and if you are not, get out there and visit them at a show!).
First up was a model of Montherme station in N gauge. The real station is in the Ardennes and the railway really does come out of a tunnel, through a small station, across a river and back into another tunnel. The builders have used N gauge to its full effect, the hillsides rise up 3 feet (although this does make the layout excessively low) and it is very much a layout in a landscape which I like. It is based in northern France and the operators are very friendly, so if there are any brave show managers in the UK it could be realistically invited.
Regrettably I did not get the name of the following layout and ordinarily I don’t particularly like the steelworks/chemical works type of layouts as I find they are a bit contrived and consequently fake. However, I thought this one was a rather nice example and when you homed in on the detail, rather than let yourself get overwhelmed by the whole there were some really nice touches to it.
The next layout was a very fine rendition of a small Dutch village scene with a tram running through it. It was called Halt Tombroekstadt and whilst perhaps a little too neat, it was wonderfully modelled with lots of careful observations. It was automated and this could be worked on as the tram was either one or off!
Last up was my favourite – a layout called Pocahontas Mining Co built by a group from Dusseldorf. It was huge by most people’s standards and this enabled them to get full length coal trains on it without this looking silly – on occasions they had a double headed Norfolk & Western mallet with a similar banker at the back and that really was impressive to watch. You could imagine the houses in the foreground literally shaking on their foundations as a the whole train trundled by,
A few years back, I harboured desires to do something Canadian Pacific and regularly used to peruse Model Railroader. Pocahontas Mining reminded me of a number of the big basement layouts that so many Americans seemed to have – boy was I envious (indeed I still am!).
The layout had a number of great examples of modelling, just capturing the mundane and reminded me lots of O Winston Link’s photographs.
There were other very good layouts at the show but being one operator down and suffering from the tendency of my operators to either take the sit back form of management or engage any willing recipient into an in depth analysis of Scottish geography, there wasn’t time to photograph them all!
I am not one to fall behind trends (!!), so I am following the “wordless Wednesday” trend of many people’s blogs today.
However, my reason for not putting down many words is that the ones I would like to write ought not appear on a public blog.
Thus I will have to settle with “matting agent” and “where’s the paint stripper” as my words instead……….
The final installment of the test build sequence is a little further away than I had hoped!
I am not quite sure why I am reblogging this given the grief I get within it but here is a not quite complete story of our trip to Holland with both Portchullin and Six Quarters………….
All that needs adding to the story is to add that the last we saw of Oly at the end of the weekend was his very worried face as he was in the Customs Shed at Dover whilst surrounded by several large burly men putting on rubber gloves in the search for HO scale contraband and assuring him that it would not hurt a bit…………
It all started with sound logic. The plan made perfect sense, Mark Tatlow had been invited to “Rail 2018” in Utrecht, Holland. Mark has always, religiously, hired a van around 10 times larger than required. This van was usually a classic long wheel base Sprinter, in which Portchullin had received many a war wound on the motorways of Great Britain by being allowed to slide around freely in the rear while the vehicle was driven like it had been stolen by a middle class mad man from Sussex.
Portchullin requires around 5 operators, 1 to operate and 4 to spend the weekend fixing it, so to make the proposition of 5 of us on the beer in Holland more appealing the spare space in the van would be taken up by SQ. So a sort of free layout for the exhibition manager.
That was where all logic ended.
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Following my last post on sliding axles, I put the coach through its paces last weekend when Portchullin visited the Netherlands.
We I am pleased to say we did not have any bother with road holding it at all, even on Portchullin’s famously rubbish track – as long as you wait to the end of this clip you will see the proof of this. The axle has about 1mm play on the centre axle – 1/2mm either way – and this proved to be more than enough for the 4 foot curves on the layout. We did find it would be defeated by the rather tighter curves on Horselunges which was nearby but as these were down to around 2 feet radius, I don’t feel guilty!
The one issue I encountered was that as the axle slid over, the wheel rim would touch the side of the W iron and thus electrify it. This lead to some shorting issues if it came into contact with a vehicle of different polarity (I know it shouldn’t but well it seems to do for my stock!). Thus, for the next vehicle I will look to insert a layer of very thin copper clad paxolin below the W iron to isolate it.
So even with this issue I consider that the experiment to be a definite success and for relatively short bodied 6 wheeled coaches this will be my standard approach going forward. This suits the Jones shorter 6 wheeled vehicle of which Lochgorm and Microrail have examples. I think the jury is still out on longer 6 wheeled vehicles and a further experiment is going to he required as I am still a bit concerned there may not be enough side play.
Six wheeled coaches are pretty and they are quite characteristic on branch services on the Highland system in the early 1920’s. The problem is that they are bu**ers to get to properly work because there is a tendency for the middle axle to rock on any raised sections of track or for it to fail to swing on curves. OO modellers can typically get away with this as those deep flanges do come in handy for it. P4 modellers, such as myself, have a tougher time of it and whilst I have built a couple of six wheeled coaches, the count that can master the trackwork of Portchullin is rather less than the number built!
Having got better over the years at getting things to run properly (still a work in progress mind…..) I have turned my attention again to some more six wheeled vehicles. The first one to write about uses a less usual approach to accommodate curved/lumpy track – the use of a sliding axle. Although this has been written up before, I have not seen it actually executed so maybe I am a first (or perhaps fairly near to the first to do so!) Actually, I have found it pretty easy and the completed vehicle manages my test track with ease, so it will get an outing on the layout next week.
This is how I did it……………
As I don’t have a lathe, creating the pin point axles is beyond me even though it would be a very simple bit of lathe work and this was one of the main stumbling blocks to trying this approach previously. Then I had an inspiration…………Exactoscale axles. These have a notional outside diameter of 1mm which I found to actually be about 0.96mm – even better as it is thus an easy fit to a 2mm brass tube with a 1mm bore! Tube in this dimension is readily available and can be purchased from Eileens or your preferred metal stockist. The first task is to remove the moulded plastic cosmetic inner axle which proved to be really easy as it came off very cleanly.
Alan Gibson wheels are structured around a 2mm axle (which again was actually fractionally below 2mm) and have a tendency to be a little loose, so popping them off was easy!
I cut the brass tube well over length and mounted it in the drill. Prior to inserting it into the wheel I ensured that the ends were burr free by spinning the drill whilst holding a piece of wet and dry over the end. Not doing this leads to the plastic boss getting damaged and the wheel being less likely to be perpendicular to the axle.
My pillar drill doubled up as a neat wheel press. With the brass tube inserted in the chuck, a wheel blank was laid on the base and the depression lever closed to push the tube into the boss. Even though the tube was to the full 2mm, I used a dab of superglue as this was inserted to ensure it stayed there. The first wheel blank was pushed approximately 10-15mm through the face, so that there was a good projection of tube beyond. This comes in handy when the second wheel blank is added as the projecting end can be held in the drill chuck so that the process can be repeated.
And this is what you get once the second wheel blank has been pushed onto the wheel blank. The free ends are then cut back with a piercing saw & file so that they project no more than 1/4mm.
A quick ream of the bore of the tube and the old Exactoscale axle can be inserted. It is a nice smooth but not sloppy fit and the tube can easily slide back and forth without a trace of effort.
There is nothing radical about the vertical suspension; each axle being supported on a Bill Bedford sprung W iron.
This whizzes very nicely along my test track, including where this has reverse curves so I am hopeful it will stand upto a proper test on Portchullin over the forthcoming weekend. If so, then I will adopt it for my future relatively short wheelbased 6 wheelers – specially where there are full footboards that restrict the movement of the any moving w-irons (of which this Microrail kit is an example).
So fingers crossed and I will report…………
Portchullin’s next exhibition may not be the furthest it has travelled but it will definitely be a first for the layout and indeed myself – an exhibition on the continent. In this case Modelspoor 2018 which takes place on the 23 – 25 February in the Euroteco Centre, Houten, near Utrecht in the Netherlands.
To the Anglo-Saxons amongst us, do not be put off by the website being written in Dutch. Basically almost everyone in the Netherlands speaks good English (embarrassingly perfect English typically) and it is a really easy country to travel around, engage with people and see what they have to offer. Although I have not been to Modelspoor before I have heard a lot about it – think Warley * 3 seems to be the gist of it (which may be a bit much in truth!). However, it has a core of “finescale” from across Europe to which I was very flattered to be invited and I hear is worth seeing in any case.
And of seeing Portchullin is a sufficient excuse to high-tail it over to Holland, coming in the van will also be Oly’s Six Quarters layout. In contrast to the fresh air of the west of Scotland, Six Quarters has air laced with Cumbrian coal dust and grime!
There are a number of other very good layouts there, including Jerry Clifford’s Highclere Colliery (under a new name I hear) and Gordon Gravett’s Arun Quay. Se even if you don’t fancy Portchullin or Six Quarters much (shame on you), it is still worth a visit.
So if anyone that reads this blog (well, either of you!) is over in Holland in a couple of weeks time, do pop over and say hello!