A signal imitating a Fresian cow was not the effect I was after…………..
Halfords etch primer is obviously not that etchy!…………….. So someone will be waiting a tad longer for their signal than I thought…………
Whilst the NER signal from my last post gets itself painted, I turned my attention to the next few signals – in this case these will be Midland lower quadrants.
A lot of the character of a signal is in its finial and if this isn’t right then the model won’t convince. In addition, they are also very vulnerable so need to be durable. Therefore, my conclusion is that white metal finials do not cut the mustard – they are too delicate and too clunky. Thus, in this case I decided to make my own – I came up with this which starts with with some interlocking etches:
And then a bit of brass tube as a collar at the base
The Midland’s style of signals do have a few idiosyncrasies; one of which is the way that blinders are fixed. Instead of being fixed to the spindle these are secured to the arms and wrap around the lamp. This can be more clearly seen in the photograph below.
The other key change was in the manner in that the arms are secured to the posts. Instead of being pined through the arm and secured at the rear, the Midland used a bracket to the front of the post with a plate that wrapped around to the front of the signal to support the arm to the front. This can be seen in this view of a rather nice gallows signal at Butterley.
The bracket can be seen in this view below and I then created a pin that fitted into the bracket and slotted over the spindle.
I have bought a new light box for taking photographs in. Whilst I am still getting to grips with it, when it works it does produce much improved pictures of models. These almost look like an images of a 3D model on a computer screen. The pliers at the bottom of these views do rather give the game away!
The Midland were a bit odd in their choice of colours for their signals. The posts were “primrose yellow” but this quickly dirtied to something akin to cotswold stone is what the book says, so this does give something a little different. This is my representation of this with a decent dose of smokey dirt – when you look at contemporary photographs many signals were not only dirty but entirely smothered in smoke. I haven’t gone that far yet, but its going to need to be done!
As can be seen, this still needs connecting to the servos and the touching in of the paint on the parts that I fit after the main assembly (the balance lever and the plate that wrapped around the signal arm).
When my friends acquired Benfieldside, it had suffered a bit of damage, notably to its signals – in essence it was this that got me volunteered for their restoration! One signal that puzzled us, however, was the up starter which was missing altogether and we could not unearth any photographs of it. Ultimately, we decided that it should be a two doll signal to also control the adjacent bay (which did have a signal, albeit inoperative) – so I have set to in order to fill this gap.
The line is set in Cumbria and is an imaginary westward extension of the Newcastle & Carlise line. In theory, therefore, it should not have the heavy cast iron brackets that the NER used. However, in reviewing the NERA’s signalling book, it became apparent that there were quite a lot of strays of signal designs, so I had an excuse to build one!
As this particular signal is going to be platform mounted, I did not need to sort out a mount for it and moved straight to the post and bracket, the latter being by MSE which I had in stock.
I then moved on to the prefabrication of a pair of dolls, each with slotted posts. This is made up of solid square section filed to a taper which is then cut and each end then has a tongue filed on it onto which flat plate is soldered either side to create the slots. I used a variety of temperature solders to ease this process but it was not easy – I did have one gum solid which resulted in a need to dismantle it and start again! As alluded to in the previous post, as these are slotted posts I had to depart from my usual practise of fitting the arms after painting as it is not otherwise possible to solder them to the spindle for the arm.
As mentioned in the last post, I came up with a bit of a dodge to successfully (well, in two of three cases!) to solder the arm to the spindle without gumming it up. By extending the ear that forms the point at which the operating rod attaches to the arm forward a bit (see the line below), it provides a point at which the soldering iron can be touched. If you use a slight excess of solder this allows the heat to transmit to the spindle and make the soldered joint.
And this is what you get with a prefabricated doll, ready for the next stage of assembly.
And below of the pair of dolls now inserted to the landing.
Even at this stage, there is still a lot of building to do as there are handrails, the main ladder, steps and ladders to the dolls, the operating mechanism transferring the movement to the dolls all to do. In respect of the latter(I used rocking cams in this case – you can just see the use of some handrail knobs as the bearings in the photos below, the cams will be fitted after painting.
Slightly peculiarly, the NER built their landings in front of the arms whereas all the other signals I have yet built have these in the rear (excepting gantries, which can be either or both!). This view shows this most clearly.
The main ladder is not visible in the views as I have made this detachable because it is much easier to spray paint these (and better, it is not easy to get a thin coat of paint by brush application and it thickens up the fine detail of a ladder too much.
The grey primer is pretty cruel to modelling efforts but on the whole, I am pretty chuffed with this!
A little bit like buses, you wait for a long time for some interesting articles on the Highland Railway and all of a sudden we get two or three come along in the same issue – in this case the July edition of the Railway Modeller. It is a veritable Highland-fest and is well worth buying as a result (no apologies for bias offered!).
First up the layout of the month is Howard Geddes’ Blair Atholl and Druimuachdar. His layout is a representation of Blair Atholl station along with its approach from the south and the line over the big hill (Druimuachdar as Howard describes it or present day Drumochter). It is liberally illustrated with photographs of the layout and numerous Highland locos – these cover many of the Highland’s locos and also those of the LMS era. Howard has written notes for each of the photographs to illustrate the historical context of the train, the loco of the scene to make this a bit more interesting than the average article in the model railway press.
So to emulate Howard, I can tell you that this is a Loch Class, number 127 Loch Garry taking water in front of Blair Atholl’s shed. When built, these were the front line express engines but on the building of later locomotives, they were relegated to slightly less important tasks. So this may well have come off a Blair Atholl local (the all stations stopping services from Perth terminated at Blair) or has just returned from piloting a train up the hill.
The other article of interest for the modeller of the Highland was by Peter Fletcher and was a review of his locomotive fleet for his EM gauge layout Croich (which is based on Tain shed). As he says himself, the layout is really a vehicle to show off his loco fleet and it is fair to say it is fairly extensive and covers the majority of the Highland types in existence in 1920. The article also includes a reprint of a drawing for the small ben class of loco; hopefully a few people may be provoked into
Perhaps the most pleasant part of the two articles is how all but a couple of the locomotives have actually been built! Oh that we see a bit more of this in the mainstream model railway press!
I don’t have any pictures of Peter’s layout so you will need to refer to July’s edition of the Railway Modeller or the March 2018 for the whole layout. Howard has however provided me with a number of photographs of Blair Atholl that weren’t in the magazine to act as a tempter………..
Wee Ben, no 14413, Ben Alligan crossing Howard’s model of Altnaslanach Viaduct (from just north of Moy, and still there albeit in structural terms now merely decoration to a steel replacement that is inserted within it). It is the Highland’s locos in the LMS first livery that float my boat, so this is as good as it gets for me!
HR’s no 99 Glentromie, one of David Jones’ Strath class with some sheep and cattle wagons at the head of a mix freight train.
The premier locomotives on the Highland mainline between 1928 and the arrival of the Black 5s in 1934 were the Hughes Crab class – a locomotive that I find the brutishness of which very appealing (I have a couple in progress). Here we have them hauling a freight train through the Druimuachdar portion of Howard’s layout – representing the summit of the line going through the wildness of the Grampian Mountains. I was looking down on the scene only a fortnight ago from one of the adjacent munros looking at the really short HST sets now in use on the mainline!
The Hughes crabs again on a more normal passenger travelling in the opposite (northwards) direction.
A vista across the MPD area of Blair Atholl with Loch Garry now taking a breather waiting for its next roster.
The final of the three buses is the announcement of the release of a Highland signal cabin by Peco, as per my previous post.
Followers of this blog will have noted that various test builds of my artwork coming together and I am now able to offer a number of these for sale under the name of Miscellany Models.
First up is a Highland Railway/LMS/BR diagram 51 full brake – priced at £48.00 for a 4mm and is suitable for OO, EM or P4. These were the last generation of full brake produced by the Highland, built with both cupboard doors and sliding doors as well as alternative forms of guards duckets (all of these are included in the kit). The kit inclusive of fully sprung Fox bogies (see below), roof, corridor connections (also see below) but all castings and buffers will need to be sourced separately. The castings for the bogies are proposed, but are not presently available.
As was common with many pre-grouping coaches these vehicles utilised Fox Bogies (£16.00) and these are being made separately to the remainder of the kit, These bogies have been developed in conjunction with Justin at Rumney Models and are fully sprung, with both the axleboxes and the bolsters sprung. They really do glide across track and look as if they weigh many tons rather than a few grams! They need castings for your favoured axleboxes/springs and bolsters but do include the foot steps and all of the bogies sides, brakes and details. Suitable for oo, EM and P4.
The second coach kit is for a MR/LMS/BR: Dia 530 Passenger Brake – priced at £36.00 in 4mm scale (suitable for OO, EM and P4). This prototype was built in some numbers and by the 1920s they were spread extensively across the LMS system. The kit is for full etches covering the roof, body, underframe and footboards plus parts for the sliding central axle included. It needs axlebox/springs (available from Branchlines or Coopercraft), gas lamps, buffers, brake and gas cylinders.
On the wagon front, there is an etch to detail the NER/LNER/BR: Dia P7 Hopper Wagon – £13.50 4mm (sufficient for two wagons). They cater for a large number of the variants to this numerous and long lasting hopper wagon. Needs wheels and the Slaters kit P7 kit for the donor model. Variants that can be made include the end braked version, improved components for the Morton braked version, outside twin W irons and also the anti-friction wheel device.
All of these are available from my website https://miscellanymodels.com/ and in addition to this from the Rumney Models stand at the following shows – Scalefour North in April, Railex in May, Scalefourum in September and South Hants in November,
All of these have been extensively road tested by me with a couple of test builds for each of them. You can see this unfold on my blog and if you are interested in seeing how they go together do take a look!
Please remember that the availability of these models is an adjunct to my own hobby and this has to be accommodated within the constraints of my day job and general life! In particular I can’t get to post these orders until Saturdays so do please give me a little slack when it comes to getting the goods to you!
Most of the progress has been on the buildings including the centre piece which is the train shed and station building. As you can see, this is a pretty big structure as it consumes two full length coaches.
The view inside the trainshed is particularly impressive; I think you can smell the diesel fumes and sea air!
The builder in a characteristic pose, talking…………….
Although the layout is based on one of the proposed schemes to open up the north west of Scotland (of which there were a number) it is also firmly inspired by Oban as you can probably see, plus chunks of Kyle of Lochalsh including the goods shed and a bit Fort William with the train engine coming beyond the station and idling on the station approach.
Although I try to model at a good standard, I do try and keep it in perspective and it does frustrate me when others don’t. You particularly see this on the forums but the converse of this is that I have picked up many good tips from these same forums and, occasionally, they make me chuckle.
Whilst watching a film over the Christmas break, I was a reminded of one of these, a wonderful send up of those that can’t quite see that we are only, ultimately, playing with toy trains! So as a little reminder not to take ourselves too seriously, I thought I would share it – click here,
There will be some followers of this blog that are not close enough to the specifics to understand the references in this video. So for those that don’t P4 is the true scale version of 4mm modelling and EM is a compromise to make it a little easier to model. The Model Railway Journal is the magazine of choice for the finescale modeller and in this particular issue there is an article (by a follower of this blog) about using the compromise on the true scale gauge. This should give you enough to understand the video.
Happy modelling all in 2019 (and the tiny bit of 2018 that is left!) and something more serious to follow soon!
Benfieldside has just completed its first outing for what is believed to be 17 years and whilst honesty dictates that we must admit to some glitches; especially first thing, on the whole it went really very well. As I have a fair number of photographs (some with thanks to David Brandreth), I will spread these over a pair of posts to keep people on tenterhooks!
A NER C class (to become a LNER J21) pauses at the starter with a freight train.
The same train in the distance, showing the goods yard with the station throat behind.
Things are quieter at the other end of the station where there is a full brake in the milk bay. The signalman has a commanding view; in part of the slightly droopy signal on the gallows signal!
Because we were so pleased simply to having it running, there was no pretence to running a sensible service (and we were a little short of stock, particularly passenger stock). Thus, the poor coal merchant went without any delivery of coal all day! At least it looks as if he has enough to keep the coal fires of Benfieldside going for a little longer.
Next door, it seems like it might be lunch break at Iliffe & Stokes; builders, joiners and undertakers.
Moor to follow in a few days time…………… If you don’t already do so, you can subscribe to this blog by entering your email address in at the top left of the page. This means you will be sent an email each time I post anything on the blog.
Now, I wonder if that heading will gather a few extra viewings………..?
As I have mentioned before on this blog, every few months I catch up with a group of mates to have a joint modelling session. The general gist of these is a combination of banter, a bit of modelling, more banter, a visit to the pub, even banter, a bit more modelling and all nicely rounded off with some more banter.
Last week saw us on the south coast to do some weathering – or rather some of us. One of our number was preparing for their imminent marriage whereas Oly (one half of OTCM) felt his budding TV stardoom was a sufficient excuse to hang up his airbrush. We do fear that Oly may not return to the fold; preferring instead to do his modelling with Brad, Leonardo and Denzil once he makes his silver screen debut in the autumn – don’t forget your roots Oly……….
We were all concentrating on different things; Peter constructed the better part of a bridge for his Aultbea layout and Chris was weathering some rather neat little shunters. For my part, I concentrated on weathering some of the stock that I have been building lately (and sometimes not so lately!):
First up is a pair of horseboxes. On the right is my HR version based on a Microrail kit – still in need of some glazing. On the left is the Caledonian’s equivalent based on a kit from by Spratt & Winkle. Both are in their pre-group livery as can be seen. As such stock was used in passenger trains, I have sought to give them an aged but largely cleaned feel – with the dirt largely present around ironwork and difficult to clean spots.
Having mucked up the weathering of some brake vans at the previous weathering session, I was also keen to get these corrected. This is where I have got with them.
As can be seen, I do not follow the school of thought that the pre-group or 1920’s era stock was constantly pristine. If you bother to look at contemporary photographs, little is clean and some of it is downright grubby. Railways in the steam era were very dirty places; it is inevitable where so much coal, ash and smoke prevail. Furthermore, I can not see even the most houseproud of railway companies regularly (or probably ever) cleaning their goods stock and most of these show stock that is care worn and soiled. This is the feel I am seeking to capture; not the utterly neglected and on its last legs look of the final days of steam but of railway materials that earn a living the hard way.
The pair of brake vans above are to HR diagram 39 from 1922 and are from a Lochgorm Models kit. There is some doubt whether they were delivered in 1922, as there are no known pictures of any of them in HR livery. However, I applying the “its my trainset rule” a number of modellers have painted them in Highland colours; including Paul Bannerman whose example is below.
The other highland brake van I weathered was the diagram 38 brake van. This originates from a Microrail kit and may well still be available from David Geen occasionally at shows as he does own the rights to the artwork. I have modified this with the early pattern roof look outs. These allowed the guard to look over the train around the twisting curves that characterised parts of the Highland’s system. However, there were complaints about whacked heads as the guards came up and down the steps to look onto the lookouts and as a result they were modified with approach cutouts on the roof – take a look at the Lochgorm’s page above to see an example.
Next up on the weathering front were some wagons and NPCS. The first pictures being the weathering to a couple of the items I have described in the pages here – the Oxford Rail NB jubilee wagon and the Mousa Models LNWR van.
And then some rather more ancient models of mine, a Highland Railway meat van from a Sutherland Castings kit and a GC van from another Mousa Models kit.
Finally, a group of wagons for Benfieldside. The hoppers have been seen before and the brake van we will hear more of another day.
Peter Denny’s Buckingham branch was very much an operational layout; for many years Peter’s children – Stephen and Crispin – were his chief assistant operators. However, as his children grew up they weren’t always available and Peter found himself operating short-handed. He found this frustrating as the need to cover the missing person interfered with the remainder of the operators.
This provoked the creation of the Automatic Crispin, one of the more famous parts of the layout. Long before the use of DCC, micro-processors or automatic shuttles, this was an electromechanical computer – and very ingenious (and mind bogglingly complicated) it is too. This was designed by Peter’s other son – Stephen – and took the place of Crispin to operate a portion of the layout automaticaly, in response to requests and commands from the other operators.
The heart of the system are a pair of disks and a paper chart with holes in it; all powered by motors and the enivitable mechano! The disks contain a series of metal studs or runners, each of which is connected to either the bell, the block instrument, the track or turnout relays. Running across these were a series of wiper blades of brass that connected power to the studs or runner as required.
The operation of the disk was initiated by Grandborough Jct’s signalman. As he sends a bell code, this sends a pulse of power to initiate the motor to rotate the disks or the paper chart on one segment; this first segment sends power to activate a bell code reply (each stud giving a ping). When this is answered by Grandborough Jct, in addition to acknowledging the offering forward of a train with a further bell code, it sets the block instrument. The acknowledgement of the latter being the next command to operate the correct route into the fiddle yard and power up the track in order to allow the train to arrive. The arriving train would hit a dead portion of track at the end of the fiddle yard to stop it running away, but in the process would send the “train out of section” bell code back to Grandborough Jct to allow the line to be cleared.
The story always told by Peter was that the Automatic Crispin was required when the real Crispin went to University but I think it is time to share with the world that this was a white lie. Crispin’s more prosaic explanation was that he had discovered girls at the time and all of a sudden, playing with Daddy’s trainset didn’t seem quite so interesting…….
As can be seen in the pictures, at present the Automatic Crispin is presently in bits, but is all beleived to be complete. It is part of Tony’s master plan to reassemble this; its orignator Stephen is apparently up for assisting to, so who knows?
To conclude the last of these three posts on Buckingham Central, a few photographs and to give you a chance to see the Automatic Crispen in action, take a look at this link to the BBC News article on Peter’s death and some video from circa 1980 of the layout – enjoy!
It is fair to say that Peter Bond and myself were not as proficient as Peter and his sons in this, sounds like we need some more practise Peter……..