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Glenmutchkin Part 4 – Inspiration

Glenmutchkin’s main source of inspiration is Wick or its slightly more slimline cousin, Thurso.  These are very similar in layout except for their MPD’s; where Wick’s was quite a lot larger.

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An overall view of Thurso in the 1970’s, with thank to Richard Oaks

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Wick in 1983; photograph by Peter Whatley with Creatives Commons Licence

However, rather than a facsimile of either (hey Ben Alder/Richard Oaks has nabbed that idea anyway!), I am proposing to use the same arrangement of MPD as at Kyle of Lochalsh’s shed area, with the access road leading to a turntable and then the shed roads coming back off this.  Due to the way that the layout will sit in its home, I have had to do a mirror of the shed at Kyle but otherwise it will be the same.

1908 from Time Capsules

A rather fab photo of Kyle shed with a superheater goods (which were the mainstay of the line from about 1930 through to just after the war) on shed.  It is also a fine view of the signal here – one that I wish to model.  Photo with thanks to Jim Payne and available at www.throughtheireyes2.co.uk

All of the lines to the west coast of Scotland; both built by the Highland or any of its rival companies or projected come late in the 19th century – partly as a result of Prof Aytoun’s story that I have paraphrased in part 2.  Wick and Thurso however were built rather before this and are stylistically rather different as a result.  The main differences are the way that the platforms were arranged and the use of a stone built station building/train shed.  However, having decided that the Glenmutchkin was much earlier than this, I felt that I could assume that the terminus was built before any of the other lines to the west coast were achieved and thus use the older style of station.  In practise I have done so because I wish to model the overall roof – probably the building at Wick as its screen to the end of the train shed is very attractive.

Wick_station_1983_-_geograph_org_uk_-_818357 from geolocations

Photo of the road side of the main station building at Wick (that at Thurso is a bit smaller).  Copyright held by Peter Whatley and reproduced under a Creative Commons Licence.

Another feature of Kyle that I will take is the overbridge splitting the station from the shed area.  Being the son of a bridge engineer, I guess I need to get some proper civils into the model and the latticework is quite attractive. I will go for a single span bridge, rather than the twin span seen here at Kyle.

2194733_8d181140 from Geograph creative commons

Copyright held by Ben Brookshank and reproduced under a Creative Commons Licence

Those cattle pens will appear at some point too!

Glenmutchkin: Part 3 – Era

Whilst I seem to be known in the electronic ether for my 1970’s modelling, this is not really my main interest.

Many years ago, I set my main era as the early years of the LMS.  Whilst I do quite like some of the LMS standard classes, it was really the sight of the Edwardian and Victorian locomotives of the Highland in the lined red pulling a rake of fully lined coaches that seduced me.  After all; who could resist something like this:

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or this:

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Its peculiar; I would think that the 1920’s is the least modelled era after about the 1880s?  Think about it, when did you last see a model from this era?

My regret for this period though is the loss of the red oxide painted goods stock.  The Highland often (apparently at random as to when they would and when not) pick out the ironwork of these in black and again I am drawn to the fusion of colour that occurred as a result.  To get over this contradiction; I model in about 1925/1926.  Much of the passenger stock and locos had by then been repainted in the new corporate LMS colours but at least some of the good stock remained in the old pregroup livery.

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with thanks to Ray Nolton for two of the pictures

Portchullin’s Next Outing

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My existing layout, Portchullin – as shown above in Andy York’s photo, has its next outing this Saturday (16th Feb) at Tonbridge. Details of the exhibition are here

After this, it will be a month’s rest and then we are out at the London Festival of Model Railways at Alexandra Palace. This is on the 23 and 24th of March and Details can be found here

After this, it will be Wigan in June an unconfirmed invite for Hartlepool in July and then Warley way off in November.

First Signal for Glenmutchkin

I have managed to finished (for now anyway, see below) the first bracket signal for the layout.  So here are some pictures:

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One error I did manage to include in the build was to make the holes in the balance levers, the crank elbows and the signal arms a tad to big for the operating wire I used.  I used 12 gauge guitar wire and the slop that this creates in a 0.5mm hole is rather too much.  0.5mm drills were the smallest I had when I built this so I have invested in a stack of 0.4mm and 0.3mm from drillsuk (on ebay).  Next time I will try these really small drills because the thin operating wire does look the part.

The effect of this is to allow the arms to slop too much and they will not be capable of being made to bounce properly.  This signal will be in a cutting of the proposed layout, so I will have to replace the wire with something a bit thicker to overcome this.

You live and learn!

I am also having a bit of trouble with the MERG servo drivers; I may be cooking them with my power supply so this needs a bit of work too

Glenmutchkin: Part 1 – Have summer house, will build……..

Much of 2012’s modelling time was devoted to the building or a summer house; at least that is what we told the planning authority it was.

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In reality, it was a better storage home for Portchullin that formerly had to be carted up two flights of stairs to the loft to live and also somewhere to get some of my “railway stuff” out of the house.  At least the domestic authorities knew that it would provoke me into scheming my next layout……..

I used to spend literally hours scheming up layout plans; is it not as much fun as actually making them?  But I have never had this much room – a heady 16 feet for the scenic section and, as I have arranged the summer house to have a set of doors at one end, the fiddle yard can be erected for operating sessions through the door so can be in addition to this dimension.  After much playing, this is what I have come up:

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There is a lot of working up still to do on this, but it shows the basic concept that I’ll be working too.  I’ll explain more as to its concept another day, but it draws its inspiration from a couple of the Highland’s termini so hopefully you can see a little of some fairly well known stations in the plans.

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