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Now That Didn’t Take Long…………..!
I have recently bought one of these – a minature bench saw by Proxxon – second hand from ebay for a moderate amount of money, along with a diamond disk with the intention of using it to cut copper clad fibre glass.

If you have attempted to cut copper clad sheet yourself you will know that it is a stunningly good way of blunting tools!
I wanted a better way of cutting copper clad sheet for frame spacers and, particularly, sleepering for trackwork. Having got it I obviously wanted to put into use…………..
So obviously I didn’t choose something simple and instead opted for a scissors crossing because I have never built one before. So here is it, a B7 turnout scissors crossing in P4 with a relatively wide line spacing as this is to be used in a fiddle yard between the up and down roads .

This represents over 24 hrs of work even though the time to make the sleeper bases was quite moderate.
My conclusion on the bench saw is that it is a much better way of cutting through copper clad sheet. The diamond blade slices through it easily. What is less good is that for fairly narrow strips (such as sleepers) it is difficult to get a consistant width along the strip even using a fence. Not a problem for fiddle yard track, but if it is to be used out on the front, it will need to be better.
I have also spent some time thinking through how i can wire this as it is quite challenging for the crossings for the central section. After much pondering, i have decided it is not challenging at all as i will simply cheat and use frog juicers !
What Have I Been Doing…………..?
Gosh, another year where my intentions to increase my rate of posting have got away………..
Whilst work and home life have intruded, I have still managed to get some modelling done; including a rake of NER coaches for John James for which i do get something in return in due course.
The rake had a pair of three compartment thirds, of which this is an example:


All of the coaches were constructed from D&S kits on my Miscellany Models Fox bogies with replacement roofs formed of nickle silver sheet. I find that the plasticard offering in the D&S kits to be their weakest point. The problem with this is that if you make your own roofs i find you might as well also cut out the section below the clerestory – it makes a huge difference for the coach to be illuminated from above. The issue is, that there is a lot of work in these roofs – I found that for each there was 15+ hours of work just in the roof!


Also in the rake is an all third, which is probably my favourite of the build as it feels quite “pure” and also wihtout the problems of the composite…….see below…….



The rake only needed a modicum of first class accomodation made up from a composite diagram 7. Alas, this had a challenging problem that needed to be overcome, with the clerestory side pieces. These were much shallower than those on the other kits orwith the ends supplied in this kit. In addition to being obviously incorrect given the inconsistancy but the frames around the glazed lights were stunningly delicate. I regret persisting with this, i should have just drawn up some replacements in CAD and popped them in the next etching order.

However, i solved the problem by soldering a flat strip, 1.5*0.5mm along the base. in theory it should be to both the top and bottom but that was not realistically possible and I decided life was too short. After much fighting, cussing, fighting, screaming and more fighting, I did get it there, as I hope you can see.


I was asked to do these as gas lit coaches and therefore there is a bit going on below, as one might say.

As the coaches were quite long lived, they went through many detailed changes. for anyoen who is contemplating building some, I would heartily recommend reading David Addyman’s notes on how he built his in the Scaleforu Forum https://www.scalefour.org/forum/viewtopic.php?f=39&t=7210&p=101662&hilit=ner+coaches#p101662 David’s coaches are modelled in the 1930s, so have different lighting arrangements, footsteps, bogie spring dampers and sides to the clerestories. Lots of things to be aware of if you are doing something similar.
At the end of this rather mammoth build, I had four coaches that i was rather proud of. They look rather fine on John Wright’s Benfieldside viaduct.

I am also pleased that i do not have to paint these; i am still looking for my lining mojo. I had it as a teenager, but have grown shy of lining. Maybe something for the Christmas break?
In the meantime, here are a couple of pictures of the newly restored NER coach 818 at Kirby Stephen, courtesy of the Beamish website. Does’t she look magnificant? I really must get up to see her.


Portchullin, Perth and British Railways Modelling
June is a busy month for Portchullin.
Firstly, we will soon set sail in the van to Perth with both Portchullin and Oli & Chris’ Cessy en Bois for their model railway show. The details for this are below and there are a lot of good layouts there, including the two biggest P4 exhibition layouts – Mostyn and Burntisland. So there is plenty to see even if Portchullin does not float your boat (……….as if……….). If you are visiting do please say hello.

Its a long drive to Perth from Surrey, so to break the journey up a couple of us are going to visit a number of home based model railways that you can’t see at shows. The current plan is to visit eight layouts, two preserved lines and the Perth show, so we will be well and truely model railwayed out by the end of the trip!
As you would imagine, being able to visit a number of layouts that don’t generally get seen will provoke the camera to come out andas there are a number of treats in stall, keep an eye out for future blog posts.
The other activity for the month has been the writing an article for publication in July 2024 issue of British Railways Modelling. This, combined with photos from myself and Andy York makes what I hope is an enjoyable article.

I have particularly talked about the origins of the layout and how it was conceived, with a smaller amount of information on how it was done. It should be available simultaneous with this post and if you have any thoughts on it, I would welcome feedback.

News from Miscellany Models
With the assistance of Duncan Petford, Miscellany Models are now offering engraved glass windows featuring the thistle emblem that the Highland used to obscure the windows of toilet compartments. They come in packs of five, for £7 postage included and are available here.

These are laser engraved on 1mm perspex and really lift the appearance of a Highland coach, as you can see:

Sadly, I have also had to increase the prices for most of the products. The costs of the last few deliveries from my etchers have been eyewateringly expensisve, so I need to defer a degree of this. The good news is that this is an indication that more products will soon be featured too – so Highland and LMS modellers keep an eye out.
The Other Benfieldside
To date, the images and details I have shown on Benfieldside have related to the main and original station. However, there is more!
Benfieldside’s original builder, John Wright, constructed a significant extension a few years after completing the core layout. This was shown at the time in the Model Railway Journal (issue 57, 1992) and has not really be seen since.
When John’s interests moved on, he disposed of both parts of the layout and in turn the new owner decided he did not wish to retain the whole. However, he elected to retain the extension in order to convert it to P4 as his home layout (Benfieldside was all constructed as an EM layout). We all know what life is like – jobs, family life and other priorities get in the way but progress is now being made. The two main lines are now operational, as these two videos show.
The new layout will be NER as a core, but with also a Midland presence. It appears that the Midland has provided the motive power for the test train!
As you can see, Benfieldside’s extension was centred around a substantial viaduct with a degree of siding to one end. Its owner is proposing to make a small MPD here, the beginnings of which are visible in the videos.
There is still a way to go both in the adjustments around the MPD but also in refreshing the scenery. But never the less, as you can see it is another impressive layout.
A Fold of Cattle Wagons
Your pub quiz fact for the day is that the collective name for Highland cattle is not a herd, as it would be for most cattle. Instead, and only for Highland cattle, the collective name for a group of cattle is a fold. If that does come up in a pub quiz, you owe me a pint!
Cattle were an important part of the highland economy and hence were a good source of income of the Highland Railway. In my slightly distorted version of real history, there were 4 million head of cattle to transport per annum in the Glenmutchkin area (which is remarkable given the cattle population of the entire UK at the time was only a little bit higher!). Thus, a fold of cattle wagons was obviously a pre-requisite for Glenmutchkin and this is what I have been working on of late.

First up are a pair of LMS standard cattle wagons; to diagram 1661. These date from 1925; so they would have been fairly new at the time that my layout is set in. These were built from Parkside plastic kits with only moderate modifications around the break gear and, of course, some sprung w-irons. Being a relatively recent kit, it is generally very good and whilst it is possible to convert it to some alternative variants, these came later than my modelling period so I was not tempted. I am concerned that I have painted them rather to dark though, so I will be weathering them on the light side.

Next up is a Great North of Scotland Cattle wagon, from a Model Wagon Company white metal kit. This is a much older kit and didn’t it felt it! For reasons I am not certain of, the two sides were not the same length so in practise the body is a bit trapezoidal – but can you tell? The casting was also covered in flash which was a particular problem in the gaps between the wooden slats – this meant I spent a few hours I would sooner not have spent scraping it out to keep these clear. The GNoS vehicle was a much more basic vehicle and, strangely, did not get any large ownership lettering so they remained rather anonymous, Instead, they had simple cast plates, which I made from a locomotive number plate and dry brushed white on the letters. I have glossed over the fact it does not have the right number or even a consistent number from one side to the other – sod the “getting it all right” mantra!

I have also built a further Highland cattle wagon, built from a Model Wagon Company kit. This is the Drummond era version and I have already built a number of these so this was relatively routine – its just as well as there are still a couple in their packet waiting their turn!

The final cattle van is a David Geen kit for the L&Y large cattle wagon. Whilst still a whitemetal kit, it is of somewhat better quality than both the Model Wagon Co kits so was rather easier to make. Even then, it did need filling at the corner joints and I felt the need to swap the brake levers for replacements – why to even the better manufacturers use the same material for all of their kits?
To finish of this little rake, I obviously need another brake van. This is not so obvious because this is brake van no 11 in the collection and I know I have at least one more spirited away! Whilst this was a kit build, it was first a kit unassemble as this was a vehicle I had first built in my teens. Generally fairly well but a couple of bits had got damaged over the years so I felt it needed rejuvenating.

And here they all are on parade.

Now all I need is rather a lot of heilen coos to fill them up with. I have been working on this but it seems that resin casting is a tad more difficult than I thought……………..
Oh and yes, they are all way to clean; another weathering sess’ is required guys………..
Scaleforum at a Screen Near You Soon!
With these strange times that we have been experiencing for the last six months, we have all become a bit cooped up in our abodes. Whilst the lack of model railway exhibitions is hardly going to make the six o’clock news (can you imagine!), I for one have missed both the inspiration and the camaraderie they offer.
We have not seen a plethora of on line exhibitions so it is welcome news to see the Scalefour Society making the effort to arrange one in place of their annual exhibition. This will “take place” on Saturday 26th September between 10:30 – 5:30 although it seems much of the content will be available thereafter online. Here is a trailer for it:
In addition to seeing familiar faces again, I was particularly struck by the possibility of seeing a number of “home layouts” that we don’t ordinarily get to see – and some big ones at that!
Some seems to be by video and others by an interactive youtube link so that you can chat to the team/person. This is the listing of what is proposed.
Layouts:
Boston Frodsham by Mike Knowles
Bristol Barrow Road by Robin Whittle
Central Cheshire Lines by John Sherratt
De Graafstroom (P87) by Vincent de Bode
Drighlington and Adwalton by Steve Hall
Eridge by the Kent Area Group
Faringdon by Rex Davidson and Stephen Williams
North Elmham by the North Norfolk Area Group
Obbekaer (P87) by Geraint Hughes
Pwllheli by Jonathan Buckie
Southwark Bridge by Mike Day
United Mills by Ray Nolton
Demonstrations
Adrian Musgrave – Signals
Alistair Ford – Timber Buildings on Black Gill
Brian Hingston – Coaches
Chris McCarthy – Baseboards
Dave Keeler – Wagon Construction
David Brandreth – Resistance Soldering
Jim Smith Wright – Soldering White Metal
John Farmer – Scenics
Mick Moignard – DCC Sound
Nick Rogers – Wagons
Rod Cameron – Lewis Project
Stuart Holt – Tree making
Illustrated Talks
Martin Nield – Authentic Model Railway Operation
Jim Summers – ‘Earning a Living’

I can see that chunks of the readership of this blog are dispersed in far flung places – take some time to see some really good 4mm without burning your air miles. The details to the log in can be found here:
So I know what I will be doing with much of the 26 September…………………. I will even make sure I have done some on-line shopping at about the same time so that Scaleforum hits my pocket in the same manner as usual!!
Fuel for Thought
Obviously, where there is water in a locomotive yard, there really ought to be coal too.
The Highland, like many other railway companies of the time (certainly the Scottish ones), sought to stockpile coal. This was presumably insurance against coal strikes and allowed them to purchase coal at times when the price was favourable. Thus, quite substantial coal stacks where very much a feature of shed areas in the pre-grouping era. Typically, these were arranged in engineered stacks, with the sides formed in “dry-coal walling” and then loose coal behind. I can’t recall ever seeing this modelled, so I though I would change that!

The actual structure of the loading bank was formed in plasticard and Wills random stone sheets, but with the mortar courses softened as I described for the water towers. The shape of the coal stack was formed with a piece of house insulation left over from a DIY job and then real coal used to form the effect of…..err……real coal. Actually, real coal does not look quite like real coal without a bit of effort. It does shatter into angular but irregular lumps like real coal (especially if lignite coal is used) but its glossiness does not scale down. However, a vigorous brush with generous amounts of soot black weathering powder takes the gloss back and the whole becomes quite convincing. You do feel as if you are going to get pretty filthy if you go up onto the bank – and until the whole is fixed with matt varnish, you would!

Individual coal chunks were glued in place to form the wall structure. To get the effect, it is not enough to simply scatter the coal onto a bed of glue each chunk has to be laid individually with care taken to lock it into the course below – just like a real dry stone wall. Thus, the vertical walls of this took about a day to complete, scattered over about 8 stints because it is necessary to let the glue dry after every couple of courses to stop the layers collapsing. It is then possible to scatter the loose material behind the walls onto a layer of glue – the above picture shows the contrast in effects between the two methods.

But it is hard work shovelling coal into tenders, especially as the locos got larger and their tenders higher. As befitting such an important place as Glenmutchkin, it has all the modern amenities for coaling engines, a hand crane and a large bucket! In this case, I have fitted servos to this so that it operates – partly as a bit of fun and also to slow things down in the yard to a more realistic pace without it getting too boring for the viewer.

The crane operation was achieved by way of three servos – one to rotate it and then one each for the front and rear of the coal bucket. These are all mounted onto a cradle that is rotated by the former – thus as the crane rotates so too do all the servos and there is a quadrant shaped slot in the base to the rear of the post (just visible in the picture above) that allows the cables to rotate too without snagging.


The cradle is mounted to a solid rod that is in turn secured to the actual crane. This then slides into the rod that can be seen projecting from the base in the picture above. This means that there is limited strain on the crane or the mount as I had feared it might otherwise snap with any heavy-handedness on my part (something I am prone to!). The rest of the crane was made with brass hollow section and pulley wheels from Bill Bedford. A series of guides were made of small section tube on the pulley wheels, at the winding drum and across the jib to retain the operating cables.

The bucket was fashioned from metal sheet and is filled with low melt solder to give it as much weight as possible. It is secured to the servo arms with invisible thread – which is a nylon seamstresses material used for making invisible stitches. It comes in both clear (which really is invisible) and black, I used the latter. It is much better than cotton thread as that has a furry finish that looks terrible after a time or if it is painted. It is, however, very fine and rather wriggly to knot, so using it involves a certain amount of cussing!
And this is what it looks like in operation…………
A little of the bouncing about of the bucket is caused by it sitting on my servo test rig, so the act of changing the switches imparts a little vibration. Hopefully, when mounted on the layout this will be less obvious.
I do still need to do the final detailing on this; tools, a bit of discarded debris and a couple of fellas from Modelu standing around doing nothing (because static people in animated poses look silly on a model layout!).
Only the printable words for this Wednesday!
Hmmmm……..
A signal imitating a Fresian cow was not the effect I was after…………..

Halfords etch primer is obviously not that etchy!…………….. So someone will be waiting a tad longer for their signal than I thought…………
Benfieldside’s Missing Signal
When my friends acquired Benfieldside, it had suffered a bit of damage, notably to its signals – in essence it was this that got me volunteered for their restoration! One signal that puzzled us, however, was the up starter which was missing altogether and we could not unearth any photographs of it. Ultimately, we decided that it should be a two doll signal to also control the adjacent bay (which did have a signal, albeit inoperative) – so I have set to in order to fill this gap.
The line is set in Cumbria and is an imaginary westward extension of the Newcastle & Carlise line. In theory, therefore, it should not have the heavy cast iron brackets that the NER used. However, in reviewing the NERA’s signalling book, it became apparent that there were quite a lot of strays of signal designs, so I had an excuse to build one!

As this particular signal is going to be platform mounted, I did not need to sort out a mount for it and moved straight to the post and bracket, the latter being by MSE which I had in stock.
I then moved on to the prefabrication of a pair of dolls, each with slotted posts. This is made up of solid square section filed to a taper which is then cut and each end then has a tongue filed on it onto which flat plate is soldered either side to create the slots. I used a variety of temperature solders to ease this process but it was not easy – I did have one gum solid which resulted in a need to dismantle it and start again! As alluded to in the previous post, as these are slotted posts I had to depart from my usual practise of fitting the arms after painting as it is not otherwise possible to solder them to the spindle for the arm.

As mentioned in the last post, I came up with a bit of a dodge to successfully (well, in two of three cases!) to solder the arm to the spindle without gumming it up. By extending the ear that forms the point at which the operating rod attaches to the arm forward a bit (see the line below), it provides a point at which the soldering iron can be touched. If you use a slight excess of solder this allows the heat to transmit to the spindle and make the soldered joint.

And this is what you get with a prefabricated doll, ready for the next stage of assembly.

And below of the pair of dolls now inserted to the landing.

Even at this stage, there is still a lot of building to do as there are handrails, the main ladder, steps and ladders to the dolls, the operating mechanism transferring the movement to the dolls all to do. In respect of the latter(I used rocking cams in this case – you can just see the use of some handrail knobs as the bearings in the photos below, the cams will be fitted after painting.

Slightly peculiarly, the NER built their landings in front of the arms whereas all the other signals I have yet built have these in the rear (excepting gantries, which can be either or both!). This view shows this most clearly.

The main ladder is not visible in the views as I have made this detachable because it is much easier to spray paint these (and better, it is not easy to get a thin coat of paint by brush application and it thickens up the fine detail of a ladder too much.

The grey primer is pretty cruel to modelling efforts but on the whole, I am pretty chuffed with this!